ARTISTS                                                                                    Daniele Dell’angelo Custode

Daniele Dell’angelo Custode

 

Daniele Dell’Angelo Custode is a sculptor from Puglia who lives and works in Nardò, in southern Italy, where his atelier functions both as workshop and research space. His practice is entirely devoted to metal: iron, fire, oxidation, and welding become tools in an ongoing dialogue with matter.

At the core of his work is not technical control, but listening. Dell’Angelo Custode doesnot impose form on metal; instead, he speaks of stimulating the material and allowinghimself to be guided by its reactions. It is the iron itself through tension, resistance, and unpredictability that directs the process. The artist’s role becomes one of accompanimentand care, balancing intention with surrender.

Within this approach, fire takes on an almost mythic dimension. Its symbolic counterpart isthe ancient god-smith: not as ornament, but as embodiment of a sacred craft, where the forge becomes a place of transformation. Fire is more than a technical instrument it is a threshold, a space of risk and metamorphosis where matter changes state and revealsunexpected possibilities.

This vision finds clear expression in works such as Connessione, where metal becomesintertwining, linkage, and tension between elements: not mere structure, but visiblerelationship energy held within form.

One of Dell’Angelo Custode’s most revealing statements is: “The work I care about mostis the one still in the making.” It shifts attention away from the finished object toward the process itself. Not the final result, but continuous becoming. It is precisely in this spacebetween the artist’s hand and the breath of fire that his sculpture finds its true identity.

Upload Image...

ARTISTS             Daniele Dell’angelo Custode

Daniele Dell’angelo Custode

 

Daniele Dell’Angelo Custode is a sculptor from Puglia who lives and works in Nardò, in southern Italy, where his atelier functions both as workshop and research space. His practice is entirely devoted to metal: iron, fire, oxidation, and welding become tools in an ongoing dialogue with matter.

At the core of his work is not technical control, but listening. Dell’Angelo Custode doesnot impose form on metal; instead, he speaks of stimulating the material and allowinghimself to be guided by its reactions. It is the iron itself through tension, resistance, and unpredictability that directs the process. The artist’s role becomes one of accompanimentand care, balancing intention with surrender.

Within this approach, fire takes on an almost mythic dimension. Its symbolic counterpart isthe ancient god-smith: not as ornament, but as embodiment of a sacred craft, where the forge becomes a place of transformation. Fire is more than a technical instrument it is a threshold, a space of risk and metamorphosis where matter changes state and revealsunexpected possibilities.

This vision finds clear expression in works such as Connessione, where metal becomesintertwining, linkage, and tension between elements: not mere structure, but visiblerelationship energy held within form.

One of Dell’Angelo Custode’s most revealing statements is: “The work I care about mostis the one still in the making.” It shifts attention away from the finished object toward the process itself. Not the final result, but continuous becoming. It is precisely in this spacebetween the artist’s hand and the breath of fire that his sculpture finds its true identity.