ARTISTS                                                                             Rossano Dallari e Marco Malavasi

Rossano Dallari e Marco Malavasi

 

Rossano Dallari and Marco Malavasi

Rossano is a photographer, Marco a master of art: together, their work is a journey through photography, collaborative works, and Pop Art.

Textural works, works created by combining photography and matter, psychedelic geometries, CD-ROMs, DVDs, glitter, and plenty of color expertly used to evoke memories of a not-so-distant past.

Rossano Dallari

Dallari is based on a total concept of freedom and is always oriented toward it, both in his pictorial and photographic processes and in his contemplative exploration and reception. This means that his conception of art is aimed at complete transformation in terms of creative development, but also at the potential extension of the energetic-spiritual effects that his works ultimately emanate. It is not based on the ghettoizing concept of “art for art’s sake.” Rather, his work is addressed to all… open… available for the enjoyment of those who participate in this vision, even if visitors are unaware of the principles that gave rise to the creations before them.

Marco Malavasi

For him, Pop Art represented a true revolution in the world of creativity, being a shift in ethical-aesthetic research that sought to find a meeting point between art and ordinary individuals, completely abandoning the concept of art for the few.

With his Pop paintings, the artist focused on familiar images (everyday objects, advertisements, color combinations) and also introduced the presentation of wall-mounted compilations of CD-ROMs on which he had previously recorded his entire graphic-industrial research. For him, Pop was born as a true alternative to Abstract Expressionism, which sought inspiration solely in the emotions of the moment. Pop is more interested, as it still is, in representing the society of an era; in this case (i.e., in the Western world), a system that had become consumerist following the post-war economic boom. Indeed, Pop works often seek to provoke, to confront the viewer with reality, a social model based, in particular, on waste and the increasingly widespread use of technology.

ARTISTS     Rossano Dallari e Marco Malavasi

Rossano Dallari e Marco Malavasi

 

Rossano Dallari and Marco Malavasi

Rossano is a photographer, Marco a master of art: together, their work is a journey through photography, collaborative works, and Pop Art.

Textural works, works created by combining photography and matter, psychedelic geometries, CD-ROMs, DVDs, glitter, and plenty of color expertly used to evoke memories of a not-so-distant past.

Rossano Dallari

Dallari is based on a total concept of freedom and is always oriented toward it, both in his pictorial and photographic processes and in his contemplative exploration and reception. This means that his conception of art is aimed at complete transformation in terms of creative development, but also at the potential extension of the energetic-spiritual effects that his works ultimately emanate. It is not based on the ghettoizing concept of “art for art’s sake.” Rather, his work is addressed to all… open… available for the enjoyment of those who participate in this vision, even if visitors are unaware of the principles that gave rise to the creations before them.

Marco Malavasi

For him, Pop Art represented a true revolution in the world of creativity, being a shift in ethical-aesthetic research that sought to find a meeting point between art and ordinary individuals, completely abandoning the concept of art for the few.

With his Pop paintings, the artist focused on familiar images (everyday objects, advertisements, color combinations) and also introduced the presentation of wall-mounted compilations of CD-ROMs on which he had previously recorded his entire graphic-industrial research. For him, Pop was born as a true alternative to Abstract Expressionism, which sought inspiration solely in the emotions of the moment. Pop is more interested, as it still is, in representing the society of an era; in this case (i.e., in the Western world), a system that had become consumerist following the post-war economic boom. Indeed, Pop works often seek to provoke, to confront the viewer with reality, a social model based, in particular, on waste and the increasingly widespread use of technology.