What a genius that Picasso was … a pity he painted nothing.”
Marc Chagall
Between Chagall and Picasso there was a relationship marked by respect, but also by profound differences. Picasso admired the poetry of Chagall’s works, but was distant from his spiritual and symbolic vision. Picasso said:
“When Chagall paints, you can smell the onion.”
Pablo Picasso
An ambiguous phrase, somewhere between sarcasm and recognition of an art deeply rooted in everyday life and popular memory. Chagall, for his part, looked at Picasso with a certain diffidence: he recognized his greatness, but was distant from his nihilistic vision and formal experimentation.
Dalí enters the painting as a disruptive element. Unlike Chagall, who remains tied to an idea of art as an expression of the dream and collective memory, and Picasso, who analyzes reality in order to shatter and reconstruct it, Dalí proposed a totally self-referential universe, where the unconscious becomes spectacle, the body is deconstructed, and the psyche materializes in disturbing images.
With Picasso, Dalí had a relationship of ambiguous rivalry: he considered him a master but challenged his authority and ideals. He wrote him obsequious letters, but provoked him publicly.
“Picasso is a genius. So am I. Picasso is a communist. Not me.”
Salvador Dalí
Between Dalí and Chagall, however, the relationship was more detached: their art moved on very different emotional frequencies.
All three were different, but they were three, VISIONARIES: they reinvented the language of art, each according to his or her own expressive urgency; they were essential to understanding the complexity and richness of modern art.